![]() ![]() Or, if you don't wish to open up the folder, simply selecting it, reveals its contents in the related inspector to the left. If I was to open the folder, you'll see a few other tracks I have disabled too inside. You'll see that green arrow indicating where you are placing the track. I could use the visibility tab to hide it from view, but for the moment, instead I'll left click the track, and drag it down and place it in the folder I've created labeled Unused. Muting does exactly that, it turns down the track's volume to silence, but still plays the track. This is different to muting the track with the M button. Once disabled, the track turns gray to indicate Cubase will now ignore this specific track and not use any processing power to play it back to us. What this does, is not only mute the track from being heard, it actually stops that specific track playing back. You'll no doubt remember it's easy to hide any track from view, so we don't actually delete it, by right clicking the track, and running down to disable track first of all. ![]() We won't need to hear that version again, or indeed see the track itself there. ♪ Gatsby believed in the green light ♪ ♪ the orgiastic future that year by year recedes before us ♪ ♪ Gatsby believed in the green light ♪ ♪ believed the orgiastic future ♪ ♪ Believed the orgiastic future ♪ ♪ Stretch out arms further ♪ ♪ Gatsby believed in the green light ♪ ♪ Stretch out our arms further ♪ ♪ We will run faster ♪ ♪ We will run further faster ♪ ♪ Gatsby believed in the green light ♪ ♪ The orgiastic future, that year by year recedes before us ♪ ♪ It eluded us then, but that's no matter ♪ ♪ Gatsby believed in the green light ♪ (slow jazz music) ♪ Believed the orgiastic future ♪ (slow jazz music) ♪ Gatsby believed in the green light ♪ ♪ The orgiastic future, that year by year recedes before us ♪ ♪ It eluded us then, but that's no matter ♪ ♪ Tomorrow we will run faster, stretch our arms further ♪ ♪ Run faster, stretch out our arms further ♪ ♪ Run faster, run faster ♪ ♪ And one fine morning ♪ (slow jazz music) ♪ Gatsby believed in the green light ♪ ♪ The orgiastic future, that year by year recedes before us ♪ ♪ Gatsby believed in the green light ♪ ♪ Believed the orgiastic future ♪ ♪ We will run faster ♪ ♪ Stretch out arms further ♪ ♪ Gatsby believed in the green light ♪ ♪ We will run further faster ♪ ♪ The orgiastic future, that year by year recedes before us ♪ ♪ Gatsby believed in the green light ♪ ♪ We will run faster ♪ ♪ We will run further faster ♪ ♪ Gatsby believed in the green light ♪ ♪ Gatsby believed in the green light ♪ - Okay, so that's what we have to build on. And it's the reason, therefore, why I feel it would benefit from a better mix and production. Anyway, this is the original mix created a couple of decades ago, and one which I've never been too happy with. Now it does last a few minutes, so if you're not too concerned with listening to it in this old guide mix state, skip forward a few minutes. And with some simple voiceover narration quotations taken from the novel. As you'll hear here, as we build the project, I intentionally use a 3/4 time signature and instrumentation resonance of the 1920's jazz age. Scott Fitzgerald, written about the dissolution of the American dream back in the jazz age. And the reason it's called that is because it was for the audiobook competition I mentioned a moment ago and features short sections from one of my favorite books ever written, the classic American novel, the Great Gatsby by F. ![]() I've renamed the project already to Gatsby 2019. You'll no doubt remember from our previous Cubase course offered here, that all the other tracks that constitute the project are automatically muted once we solo a specific track. I've soloed it here, and that's why we see the red S button activated. Here is the guide mix I created all those years ago. So during this course, you can see me rebuild the project, and hopefully improve on its original shortcomings. I didn't win the competition by the way, and in truth, I've never really been all that satisfied with the final mix that I created at that time. We'll be rebuilding this Cubase project that I first created for an audiobook competition. Yes I really have been a Cubase user for decades. What we will be doing in this course is rebuilding a Cubase project that I first created around 20 years ago. ![]() I will still be walking you through the functionality shown here at a steady pace, so that you don't get lost along the way. Now don't let the word advanced scare you if you are still new to using Cubase. In this course, I want to take our newly acquired knowledge and build on it with this more advanced course. You'll probably know this is the follow up course to the Cubase Pro 10 Getting Started course, also available here. Hello and welcome to this course on Cubase Pro 10. ![]()
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